My Misery Will Bury You 7"

"A big part of the project and why I did it," says Sloppy Jane's Haley Dahl of her Saddest Factory debut Madison, "Was because it felt similar to being a little kid and buying an outfit that was too big that I'd have to grow into. I really valued from the start that making Madison gave me someone I had to become." The record, originally released in 2021, is a grand gesture, a statement about big love, and about growing into yourself in the process. To celebrate the one-year anniversary of Madison, Dahl has teamed up with former Sloppy Jane bass player, Phoebe Bridgers, for a limited-edition 7" featuring two versions of "Wilt." With the original track on Side A and Bridgers' stripped-back version on Side B, this anniversary release captures the essence of Madison in collaboration with one of it's earliest members. I met Dahl, who is now based in Los Angeles, for the first time in 2019 while working on a profile of her for Vogue Magazine. We went to a Ukranian diner, Odessa, which is in the East Village. She ordered oatmeal and I ordered a plate of fried pierogies. As we ate, Dahl shared that she was planning on going to West Virginia to record an album in the cave. The cave, she told me, came to her in the midst of a heartbreak so intense it completely gut renovated her life and her art. It took a year and a half to look for the right cave. Dahl and her co-producers, Al Nardo, Mika Lungulov-Klotz (visuals), and Jack Wetmore, went on multiple trips across the country. They lived in a freezing van, and would spend their days learning the ins and outs of playing and recording in them. They ended up in West Virginia, at a place called Lost World Caverns. Dahl and her 21 bandmates recorded all of Madison there from 3pm to 8:30 am each day over the course of two weeks (they also made four music videos on location during this time). To access the space, they'd enter through the back of a gift shop, down a long tunnel where they'd walk down 200 feet of stairs to reach the entrance. Dahl and her bandmates did this steep walk with a piano. The ceiling of Lost World Caverns is massively high and is a perfect dome. The inside was also 98 percent humidity, leading to both stellar sound and also problems with tuning and gear. Engineer Ryan Howe sat in his parents Subaru above the cave with his mixing board and computer, and threaded cables down 90 feet through a hole in the ground to the ceiling of the cave. It's the first time someone has ever recorded an entire album in a cave, and the results are pretty sonically stunning. That alone is a marvelous thing. Madison is an astounding, glorious record of melodrama of the highest order. Madison is a record with an audience for one. Each song is an attempt at a perfect goodbye to someone. It is also a record that examines fantasy relationships. "It's like when you have something that lives mostly in your head: you can't break up with someone that you don't even speak to who you don't have a relationship with. It's this world that starts to live and fester in your head," says Dahl of the record's conceptual underpinnings. One of the most lovely things about Madison is that the cave is an instrument. It is completely and totally integral to the record's architecture.